Toni Elizabeth Watson (Tones and I) was born in Victoria, Australia, around 1993. She grew up on the Mornington Peninsula, south of Melbourne. In interviews she only mentions family gatherings, such as singing with her cousins at a park in nearby Frankston when she was about seven, where her aunt first noticed her ability to “hold a note”.
She attended Osborne Primary School on the Mornington Peninsula. At school she balanced music and sport. In her teens Watson learned music formally she taught herself piano by looking up chords online and played keyboard in high school. At the same time she was heavily involved in basketball. Watson has said she went to a specialised “basketball school” where she trained three hours a day during class time, playing on multiple teams through her youth.
Music was a passion from a very early age. Watson says she “always sang in the shower” as a child and watched Australian music shows like Rage. Her earliest musical influences included pop singer Christina Aguilera, whose vocal style fascinated her as a child, and later the rapper Macklemore, whose lyrical storytelling she admired.
| Fact | Details |
| Real Name | Toni Elizabeth Watson |
| Stage Name | Tones and I |
| Birth Year | Around 1993 |
| Birthplace | Victoria, Australia |
| Nationality | Australian |
| Early Life | Grew up on the Mornington Peninsula, south of Melbourne |
| Breakthrough Song | “Dance Monkey” (2019) |
| Biggest Achievement | “Dance Monkey” held #1 in Australia for 24 weeks (ARIA record) |
| Music Style | Pop with electronic and indie influences |
| Career Start | Began as a busker in Byron Bay before signing a record deal |
| Debut EP | The Kids Are Coming (2019) |
| First Album | Welcome to the Madhouse (2021) – #1 ARIA |
| Latest Album | Beautifully Ordinary (2024) – #1 ARIA |
| Major Awards | ARIA Awards (2019), APRA Song of the Year (2020) |
| Income Sources | Music sales, streaming royalties, touring, songwriting |
| Net Worth Status | Tones And I Net Worth 2026 is not publicly disclosed |
Tones and I rose from busking on the streets of Byron Bay to becoming a global pop sensation, driven by her distinctive voice, honest songwriting, and record-breaking success with “Dance Monkey.” Tones and I (Toni Watson) emerged from busking on Byron Bay’s streets to global pop stardom in 2019. Discovered while living in her van and performing live, she quickly signed with Elektra Records and Warner Chappell Music. Her first single “Johnny Run Away” (2019) charted in Australia, and her follow-up “Dance Monkey” became an international smash. She co-writes and co-produces all her music, shaping her sound with synthesizers and loop pedals.
In August 2019 she released the The Kids Are ComingEP, which cracked the US Billboard 200 Top 30 and went Gold. Her full-length debut album Welcome to the Madhouse(July 2021) debuted at #1 on the ARIA Albums Chart in Australia. In August 2024 she issued her second album, Beautifully Ordinary, which also debuted at #1 on the ARIA chart and showcased her growth as a songwriter and producer. Throughout her career she has sold out tours worldwide, supported acts like P!NK on Australian stadium dates, and collaborated with artists such as Macklemore, blackbear, Jonas Blue, Sam Feldt and BIA.
“Dance Monkey” was Tones and I’s breakout hit. Released in May 2019, the song swept the globe and shattered records. It reached #1 in over thirty countries, including a record-breaking run in Australia where it sat atop the ARIA Singles Chart for 24 consecutive weeks (longer than any song in ARIA history). The track also held #1 in the UK for 11 weeks – the longest such run by a female solo artist there – and cracked the US Billboard Hot 100 top five.
In interviews Watson has noted that she honed “Dance Monkey” during long nights busking before ever intending to release it officially. The single’s catchy melody and unique vocal style helped fuel its popularity. As her debut EP’s lead song, “Dance Monkey” smashed streaming and sales milestones, cementing Tones and I’s status as an international hitmaker.
Tones and I’s music has dominated charts and streaming platforms worldwide. “Dance Monkey” alone has amassed over three billion streams on Spotify – making Watson the first female artist to reach that milestone with one song – and remains one of the platform’s all-time top ten most-played tracks. The song became the most Shazamed track ever recorded, reflecting its universal appeal. Across all releases, she has accumulated over 12 billion streams globally.
Her songs have repeatedly topped national charts: besides Australia and the UK, “Dance Monkey” hit #1 in countries such as Norway, Sweden and Canada, and placed high on charts in markets across Europe, Asia and the Americas. Other singles like “Johnny Run Away” and “Never Seen the Rain” also charted strongly in Australia.
Her 2019 EP The Kids Are Comingclimbed to #3 on the ARIA Albums Chart and earned gold certification, and her albums Welcome to the Madhouse(2021) and Beautifully Ordinary(2024) both debuted at #1 in Australia. Notably, industry trackers ranked her the world’s top songwriter in 2020 based on streaming data – the only Australian and female to reach the global top ten that year.
Tones and I’s global success is defined by record-breaking chart runs and billions of streams, with “Dance Monkey” leading her rise as one of the most streamed and widely recognized pop artists worldwide. Tones and I’s discography features a series of hit singles, an EP and studio albums. Her debut single “Johnny Run Away”(2019) reached the Top 15 in Australia, drawing attention to her songwriting. This was followed by the iconic “Dance Monkey”(2019), which carried her into international fame.
In August 2019 she released The Kids Are ComingEP, which included both tracks and entered the ARIA Albums Chart Top 5 and the US Billboard 200. Her first studio album, Welcome to the Madhouse(2021), included singles like “Fly Away” (peaked #4 Australia) and “Cloudy Day” (ARIA Song of the Year 2022), and was praised for its mix of up-tempo pop and introspective ballads.
In 2023 she ventured into soundtrack work with the song “I Made It”, written for Netflix’s True Spirit, and co-wrote “Hi, E, Il” for the Aquaman and the Lost Kingdomscore. In support of the 2023 FIFA Women’s World Cup, she released the anthem “The Greatest”(for Australia’s Matildas team) and joined BIA and Diarra Sylla on “Bring It On”, the official World Cup walkout song played at all matches.
Her 2024 album Beautifully Ordinary(released 2 August 2024) was her second full-length project; it blended quirky pop with personal lyrics and debuted at #1 on the ARIA Albums Chart. Singles from this album include “Dance With Me,” “Wonderful,” “I Get High,” and “Dreaming.” Continuing her international collaborations, in October 2025 she was featured with Teddy Swims on “Gone, Gone, Gone,”a single with DJ David Guetta that mixed dance and gospel-infused soul.
Tones and I has received significant industry honors reflecting her impact. At the 2019 ARIA Awards she swept four categories: Best Female Artist, Best Pop Release, Breakthrough Artist and Best Independent Release. All four awards were for “Dance Monkey” and her rise that year.
In 2020 she won the peer-voted APRA Song of the Year for “Dance Monkey” and was named Breakthrough Songwriter of the Year by APRA AMCOS. Her song “Cloudy Day” later won Song of the Year at the 2022 ARIAs. She has also earned acclaim for her live work, including sold-out tours and festival headline spots.
Notably, “Dance Monkey” established streaming records – it is the first single by a female solo artist to reach three billion Spotify streams – and holds the record for the most Shazams. Music industry observers have praised Watson’s achievements; ARIA’s CEO remarked that Tones and I’s chart successes and streaming milestones exemplify the credibility of Australian music.
Tones and I’s artistic style blends distinctive vocals with keyboard-driven pop, shaped by her hands-on songwriting and production. Influenced by artists like Christina Aguilera and Macklemore, her music combines emoti Toni Watson’s artistic persona is marked by an inventive, distinctive pop style. Critics note her unconventional, “lemon-bright” keyboard-driven sound and her immediately recognizable vocal tone. She writes all of her songs herself, drawing on personal experience and emotions.
Watson has described her songwriting as deeply honest: each album spans different moods and moments in her life, from busking days to tour life to personal loss. Her debut album was constructed from songs written over several years and never confined to a single mood, moving fluidly between upbeat pop hooks and ballads.
She often layers her compositions – one hit song has a fast, uplifting radio version and a slower, more somber alternate take, reflecting the complexity of the emotions behind it. Watson cites influences from electronic and indie pop and credits loop pedals and synthesizers for shaping her live sound. Beyond her quirky melodies, listeners and reviewers highlight the intimacy of her lyrics: she sings about vulnerability, ambition and resilience, giving her pop an authentic edge.
In recent years Tones and I has continued to build on her success with new projects and global performances. In 2023 she released several standalone songs tied to major events: “The Greatest” supported Australia’s Matildas team at the FIFA Women’s World Cup, and she co-released “Bring It On” (with BIA and Diarra Sylla) as the event’s official anthem. Early in 2023 she contributed the track “I Made It” to Netflix’s True Spiritsoundtrack.
She spent much of 2023 touring; notably, she supported P!NK on her sold-out Australian stadium tour, performing to large live audiences. In 2024 she launched her sophomore album Beautifully Ordinary, which debuted atop the ARIA Albums Chart. Leading up to that release, she issued the singles “Dance With Me,” “Wonderful,” “I Get High,” and “Dreaming” (all in 2023–24).
After the album’s release, Tones and I embarked on her own headline tour in Australia and New Zealand in late 2024, playing arenas including Rod Laver Arena and the Sydney Opera House. In late 2025 she branched into dance music collaborations, featuring on David Guetta’s single “Gone, Gone, Gone” with Teddy Swims. As of early 2026 she remains active as a performer and songwriter.
Her trajectory suggests a focus on crafting personal, boundary-pushing pop; industry commentators note that with her second album completed and new international collaborations underway, she continues to solidify her reputation as a leading Australian artist on the world stage.
As of 2026, Tones and I’s net worth has not been publicly disclosed, and no figures have been officially verified by major financial authorities. Her income is primarily derived from her music career. As the sole writer of the single “Dance Monkey,” she earns songwriting and publishing royalties, retains ownership of her master recordings, licensing them to her record labels on a reported 50/50 revenue-sharing basis, and receives ongoing streaming royalties from her catalog. Specific earnings from live performances or endorsements have not been publicly disclosed.
Tones and I is the stage name of Australian singer-songwriter Toni Watson. She gained international recognition in 2019 with her hit single “Dance Monkey.”
She is best known for her global hit “Dance Monkey,” which topped charts in multiple countries. The song became one of the most-streamed tracks in Spotify history.
She started her career busking in Byron Bay, Australia. Her performances gained attention, leading to a record deal and the release of “Dance Monkey” in 2019.
Tones and I primarily creates pop music with electronic and indie influences. Her sound is known for its distinctive vocals and keyboard-driven production.
Her most popular songs include “Dance Monkey,” “Johnny Run Away,” and “Never Seen the Rain.” These tracks contributed significantly to her international success.